RACHEL GOODYEARCV |
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Born. 14th June, 1978, Oldham, Lancashire, UK. Lives and works in Manchester |
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EDUCATION: | |
1997 - 2000 |
BA (Hons) Fine Art, Leeds Metropolitan University |
1996 - 1997 |
Foundation Diploma in Art and Design, Hopwood Hall College, Rochdale |
Solo Exhibitions and Commissions |
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2021 |
Solo exhibition, (postponed from Spring 2020 due to Covid-19) Leeds University Art Gallery, curated by Dr Catriona McAra, with accompanying essay by Professor Patricia Allmer and publication in partnership with Corridor 8 including creative response by emerging writer-in-residence. |
2020-2021 |
Limina, York Art Gallery, new drawings and large-scale animation installation, a 'Human Nature' commission by York Mediale and York Museums Trust. |
2017 |
Catching Sight, The New Art Gallery Walsall |
2016 |
Approaching the Surface, Pippy Houldsworth Gallery, London Glimpse, The Lowry, Manchester. |
2015 |
Fragments, solo installation, The Viewing Room, Pippy Houldsworth Gallery, London Restless Guests, The Drawing Center, New York |
Restless Guests, The Drawing Center, New York |
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2014 |
Muzzles and Murmurs, Pippy Houldsworth Gallery, London |
2013 |
Artificial Night, International Three, Manchester |
2012 |
A Tethered Swarm, Pippy Houldsworth Gallery, London |
2011 |
Modifications of the Host, Yorkshire Sculpture Park, Wakefield |
2009 |
The converging ends were misaligned, Pippy Houldsworth Gallery, London |
They never run, only call, The International 3, Manchester |
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2008 |
Unable to stop because they were too close to the line, The Royal London Hospital |
2006 |
Unable to stop because they were too close to the line,Fairfield Hospital, Manchester, commissioned by LIME and Pennine Trust
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2005 |
We will cancel your membership and you will owe us nothing, The International 3, Manchester |
2003 |
Nothing and Something, Bankley Gallery, Manchester
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Selected Group Exhibitions |
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2020 |
The Way We Are 2.0, Weserburg Museum für Moderne Kunst, Bremen (Until 2021) |
20:20 Twenty Years of Collecting Contemporary Art, The New Art Gallery, Walsall |
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2019 |
A Trick of the Light, Grundy Art Gallery, Blackpool |
Interface, curated project by The Drawing Room, London for Draw Art Fair, Saatchi Gallery, London |
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Enough is Definitely Enough, General Practice, Lincoln |
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The Drawing Room Biennial, The Drawing Room, London |
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Monty, Copperfield Gallery, London |
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2018 |
Feminine Hygiene, animations and projection installation for Salford Cathedral, in collaboration with composer Dr Laura Bowler and The BBC Philharmonic Orchestra. Commissioned by Sounds from the Other City Festival |
The Look of the Draw, Memo Project Space, London |
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2017 |
Drawing Biennial 2017, Drawing Room London |
2016 |
Telling Tales, Freud Museum, London; Touchstones, Rochdale; Glasgow Women's Library |
I Prefer Life, Weserburg Museum of Modern Art, Bremen |
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Je,...(I,...), Innsbruck International Biennial of the Arts, Austria |
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2015 |
Drawing Biennial, Drawing Room, London |
Blind Spots, The Contact Theatre, Manchester |
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Portraits, The Whitworth Art Gallery, Manchester |
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2014 |
Two by Two 2014, Texas |
2013 |
Curitiba Biennial, Curitiba, Brazil |
New Works at the Walker, Walker Art Gallery, Liverpool |
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Drawing Biennial, Drawing Room, London |
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Wanderlust, Contemporary Art Society, London |
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Thought Spill, Barnaby Festival, Macclesfield |
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Beastly Hall: A Place where artists and creatures collide, Hall Place, Bexley |
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2012 |
Drawing Stories: Narration in Contemporary Graphic Art, Museum Folkwang, Essen |
A Private Affair, Harris Museum & Art Gallery, Preston |
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2011 |
New to the Collection, Peter Scott Gallery, Lancaster |
Artist Profile Display, Manchester Art Gallery |
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House of Beasts, Meadow Arts, Attingham Park, Shropshire |
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Personal Tempest, Neue Galerie für Moderne Kunst, Innsbruck |
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2010 |
Kissing in Tunnels, The Moving Body in The City Festival, animation commission by Lumen Arts, Leeds |
Passion Fruits, The Olbricht Collection, me Collectors Room, Berlin |
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Northern Art Prize, Finalist, Leeds Art Gallery, selected by Richard Deacon, Patricia Bickers, Paul Hobson, Peter Murray, and Tanja Pirsig-Marshall |
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Negotiable Values, Chinese Art Centre, Manchester. Toured to 501 Arts Space, Chongqing, China |
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2009 |
Four Women, Jack Hanley Gallery, New York |
Drawing Show, Galerie Conrads, Dusseldorf |
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Bad Girls Don't Go to Heaven, REMAP2, Athens, in conjunction with the 2nd Athens Biennale |
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Removed from the eyes of strangers, Co-Lab, Copenhagen touring to Galerie Andersson Sandström, Stockholm |
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Best Of Manchester Awards, Urbis, Manchester |
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To Draw, Galleri Tom Christoffersen, Copenhagen |
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The Intertwining Line: Drawing as Subversive Art, Cornerhouse, Manchester |
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2008 |
Made Up, Tate Liverpool, The Liverpool Biennial |
NEXT Chicago, solo project, Pippy Houldsworth |
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Rotate, The Contemporary Art Society, London |
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After Dark, Eleven, London |
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The Golden Record, curated by Mel Brimfield, Collective Gallery, Edinburgh |
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The Unheimlich, Leeds Metropolitan University; The Nunnery, London |
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ARTFutures, Bloomberg Space, London |
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On that which remains, Nassauischer Kunstverien, Wiesbaden, Germany |
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2007 |
Preview Berlin, International Three, Manchester |
The Aesthetics of Anxiety, Marc de Puechredon, Basel |
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Wildwood, Project Space, Leeds |
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The Drawing Cabinet, Marc de Puechredon, Basel |
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Drawing 2007, The Drawing Room, London |
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2006 |
Beer Money Commission, Mill Workers, Salford |
Flip, Chung King Project, Los Angeles |
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Exposed, Manchester Square, London |
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Drawing Links, touring exhibition, The Drawing Room, London; International Three; Outpost, Norwich |
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Conditions of Carriage, Insertspace for Sideshow, Nottingham |
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2005 |
Compendium, Castlefield Gallery, Manchester |
ARTfutures, Bloomberg Space, London |
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Conversations on Feminism, Cornerhouse Projects, Manchester |
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Drawing 200, The Drawing Room, London |
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Mostyn Open, Oriel Mostyn Gallery, Llandudno |
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Post Notes (touring show), ICA, London; Midway Contemporary Art Minneapolis, Minnesota |
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2004 |
Print Portfolio, Castlefield Gallery, Manchester |
Joy, The International 3, Manchester |
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2003 |
Seesaw, Atelier Grammaphon, Hanover |
The Eve of Destruction, The International 3, Manchester |
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Artranspennine03, Manchester |
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Minimise Culture, Floating IP, Manchester |
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Pizza Express Prospects, The Truman Brewery, London |
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Handstand The Bassoon Club, Manchester |
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Art sans Frontiers, le Chateau de Saint-Ouen, France |
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Priceless, Oval Productions , Manchester |
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2002 |
Suite on Ice, Islington Mill, Salford |
Art Take Away, Cornerhouse, Manchester |
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2001 |
The Second Builders Arms Biennial, International 3, Manchester |
Chimera, site-specific installation, Bakewell Parish Church, Peak District |
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2000 |
Bloodstream, Islington Mill, Salford |
The Grotto Show, Castlefield Gallery, Manchester |
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Graduates 2000, Stroud House Gallery, Gloucestershire
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Residencies |
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2016 |
Wimbledon School of Art, Centre for Drawing |
2015 |
Enclave, London |
2013 |
Flux Factory, Long Island City, New York |
2010 |
The Banff Centre, Banff, Alberta, Canada. Funded by Arts Council England individual artist award. |
2008 |
Berlinspace, Kreuzberg, Berlin
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2021 |
Vitamin D3, Today's Best in Contemporary Drawing, Phaidon |
Of Wolves and Wild Women, solo publication to accompany exhibition at Leeds Arts University, published by Corridor 8 |
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2019 |
Dorothea Tanning, essay by Ann Coxon, Tate Publishing |
2017 |
Catching Sight, The New Art Gallery, Walsall, solo publication |
2013 |
Walk the Line: The Art of Drawing, published by Elephant |
Curitiba Biennial, Biennial catalogue |
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2012 |
Drawing Stories, catalogue, published by Folkwang/Steidl, cover artist and essay by Tobias Burg |
2011 |
Modifications of the Host, solo publication published by Yorkshire Sculpture Park |
2010 |
Dawn Chorus, limited edition etching collection, published by Pippy Houldsworth, London |
Interviews-Artists issue 2, edited by Nicholas James |
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2009 |
The Northern Art Prize 09, catalogue, essay by Nigel Walsh |
2008 |
Made Up, Liverpool Biennial catalogue |
The Intertwining Line, exhibition catalogue |
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Wrongteous, compiled and edited by Leo Fitzmaurice |
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Café Royal Issue 2, drawing zine |
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2007 |
Cats, Cold, Hunger and the Hostility of Birds, solo publication of drawings published by Aye Aye Books |
2006 |
The Drawing Book, featured artist |
Becks Futures publication, Nominated Artists section, nominated by Adam Carr |
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Drawing Links, exhibition catalogue |
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2005 |
Wideshut publication, curated by Castlefield Gallery, Manchester |
2004 |
Some Mild Peril, publication compiled by Nick Jordan
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Collections |
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The New Art Gallery Walsall, UK |
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Walker Art Gallery, Liverpool |
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Walker Art Gallery, Liverpool |
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Progressive Art Collection, OH |
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West Collection, PA |
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Madeira Corporate Services Contemporary Art Collection, Oporto |
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The Victoria & Albert Museum, London |
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Bury Art Gallery and Museum, Greater Manchester |
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Collection Pennine Arts, UK |
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Whitworth Art Gallery, Manchester |
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Sanders Collection, Amsterdam |
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Peter Scott Gallery, Lancaster, UK |
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